RANDOM THOUGHTS #1: Is an alternative K-Pop idol scene possible?

RANDOM THOUGHTS #1: Is an alternative K-Pop idol scene possible?

Let’s do an experiment. I’m going to talk about something I didn’t really expect to include on this website for many reasons, but here we are. Also, this random thoughts thing has been fun, so it may also become a new column of the site. Anyway, let’s get to the main topic.

The issue is the following: is an alternative K-Pop idol scene possible? The answer is obviously yes, because anything is possible if someone desires it. Just kidding, let me explain my thoughts of the last few weeks. Trigger warning: this article is going to be full of K-Pop videos.

K-Pop vs J-Pop

During my well-deserved summer vacations in August, I’ve been listening to a lot of K-Pop. I’d like to say this is mostly my friend’s fault, but actually I enjoy some groups. Anyway, I always dislike anything she forces gently asks me to listen to. So, yeah, I’m the culprit of my own degeneracy.

As we already know, Japanese and Korean idols are essentially different. Very, very different and in many ways. On one hand, the Land of the Rising Sun’s underground keeps producing a lot of obscure groups and in the last ten years they adventured into alternative and extreme genres gaining a small but faithful international fanbase, while mainstream idols are still mostly a very Japanese thing (or at least that’s how I see it), with very few exceptions; on the other hand, Korean overproduced idols have been taking over the global market lately, even releasing collaborations with very famous American artists like Nicki Minaj and Selena Gomez. Well, I’d never want to see Broken By The Scream doing a song with Justin Bieber, but whatever floats their boats.

I’m not going to annoy you all listing all the differences between the two countries, but one of the most evident ones is surely their music. Compared to the punk, metal, EDM, hip-hop and anything-core idols we have nowadays in Japan, K-Pop groups have a more strict range of genres from which they draw, as it’s basically almost always a mix of pop, EDM, R&B and hip-hop. But is it really true?

A (Not So) Different Kind Of K-Pop

It is mostly true, that’s for sure; however, I’ve been discovering a few interesting things that made me think that even the Koreans may enjoy a different kind of idols. Strangely enough, the first unit that made me think this is one of the most hated groups in the whole K-Pop scene, for reasons unbeknownst to me. In any case, Momoland‘s take on the electro-swing genre immediately piqued my interest. I don’t know if their songs’ titles and lyrics can get any dumber than this, but I still enjoy their music a lot.

Some may argue that electro-swing isn’t the most alternative or different genre out there; still, it’s not the usual stuff you get in the Korean scene. Same goes for groups like Dalshabet, Brown Eyed Girls and — even more — Wonder Girls, incorporating strong 80s vibes into their music. First time I listened to them, I immediately thought of Especia, although city pop is not the only genre explored by the Korean artists.

Nu Disco, Synth Pop, even some Reggae stuff: this shows how the concepts behind these idols are deeply linked to their music and aesthetics. Admittedly, their songs are really well-thought, very catchy and with an identity strongly rooted in the sound of the 80s. I’m quite sure there are other groups looking back at the past, but yeah, I’m not that much into K-Pop to search for them.

Speaking of both retro and electro-swing stuff, let’s spend some words on one of my favorite units, which sadly are probably gone. Orange Caramel was a sub-unit of After School (an EDM-oriented group) which is pretty unique in the Korean idol scene. Seeing how this kind of different groups are often disbanded, disappeared or hated almost made me lose my hope for an alternative K-Pop scene, however I won’t give up so easily.

Just enjoy how retro-looking, retro-sounding and just… weird this unit was. They had many awesome songs, but I’m going to put only one here, for the sake of readability.

Put Some Rock In My K-Pop, Please

I still feel the “where is the truly alternative shit?” looks on me; ok, let’s get there. After losing hope, one group made me regain it: Dreamcatcher‘s dark rock sound was what I was searching for. The horror vibes, the powerful electric guitars, everything was finally something really different from the whole scene.

While I feel like recently they have been getting closer to the standard K-Pop sound, they still have a unique aura around them. I seriously hoped to find more units like them…

…but completely failed at it. Unfortunately, there is literally no one doing anything similar.

Sure, a few years ago Pritz came out with an interesting rock-metal sound together with some very questionable uniforms. However, they did like… two songs? And then disappeared, showing how the Korean scene was not yet ready for a Babymetal-like group. Besides their official MV below, I’ll also leave an unpublished video for “CRAZY COWBOY” here, because they deserved a longer life.

Take A Look At The Other Side

And then, in the midst of my renewed hopelessness, I realized it. The most difficult question to ask myself, which I tried to avoid with all my cowardness strength, finally popped in my head.

Why am I searching only among female groups?

Yeah, why? Of course the answer is because I’m not realy into cool guys and their sexy dance moves, but since male idols are appearing here and there in the Japanese alt-idol scene (the original Ladybaby line-up, qppo and Monoclone for example), why don’t we give these way-too-perfect-looking boys a chance?

I did some research and, as I expected, there is a lot of hip-hop, but it’s often drenched in the usual k-pop stuff, which basically removes any kind of alternative potential from the music; there are a few exception though, BTS“War Of Hormone” is one of the best examples if you can ignore its laughable lyrics.

Aside from that, after watching way too many MVs from these boy bands, I still didn’t find really much, except for one song: Younique Unit‘s “MAXSTEP” features dubstep-brostep parts and even some metal-like guitars, which is fairly different from the usual K-Pop.

But is this really the best we can expect from k-pop? Although I couldn’t find anything else, I still felt that the possibility of an alternative K-Pop may exist; and yet, there isn’t really much material supporting my idea.

Maybe The Real Treasure Was The Friends We Made Along The Way

So I gave up for a while and almost forgot about my research, until the friend I mentioned before asked me to watch one video. I already knew the group — capable but still very standard, in my opinion — and it was a cover of a song I already knew, which made me do the biggest facepalm of my entire life (we’ll get to it soon). However, I couldn’t escape my curse, so I watched the video.

…THIS. THIS is exactly what I was searching for. Even if the aesthetics gave me Backstreet Boys’ “Everybody” flashbacks, it’s a really enjoyable, not-standard K-Pop song, featuring electric guitars, a powerful and slightly dark aura and very catchy melodies.

For the record, the original tune is an Italian children’s song titled “Volevo Un Gatto Nero” (I Wanted A Black Cat), which is why I facepalmed really hard; but seeing how they turned it into this cool song, I’m very impressed. My friend is still upset that I enjoy this more than their normal stuff, but whatever.

Apparently, Ateez was the first rookie group to win that TV contest, which means it has been a hit; so, in a way, this shows that k-pop can actually do something different as well. I don’t know if it will happen soon or not, or even if it’ll ever happen, but I’ll be waiting for some black metal korean girls to change the rules and smash the boundaries, as the good old Ladybaby used to say.



On this new episode of the Know Your Idol series, in collaboration with Idol Underworld, we’ll get to know pop idol-artists FRUN FRIN FRIENDS.

Pop idol duo FRUN FRIN FRIENDS started only a few months ago, and yet they’re already proving to be a very interesting group. Last time we talked about them, we were impressed by their live performance; and now we’re going to get to know the two members of this unit through an in-depth interview.

Nayuta Aku and Usakura Beni talked about their evolution as idols and artists, the origin of their name, the way they compose music and many other interesting aspects of their group. Enjoy the interview!

I love when idols want to be seen as artists too, as it conveys the idea that they’re not just cute girls singing and dancing on a catchy tune, but there is more to it; and we already know that this is very true, especially in the underground idol scene where creative and original groups keep coming up. FRUN FRIN FRIENDS may be a young group, but the two members are fully using their previous and current experiences to push boundaries of the meaning of being an idol.

始発待ちアンダーグラウンド (Shihatsu-machi Underground) – ハレルヤ (Hallelujah)

始発待ちアンダーグラウンド (Shihatsu-machi Underground)

始発待ちアンダーグラウンド (Shihatsu-machi Underground) are back with a single titled ハレルヤ (Hallelujah), a mind-blowing and psychedelic rock song with an even weirder MV.

Somehow I was almost missing this MV, and when I miss something it’s usual something big; especially in this case, since we’re dealing with 始発待ちアンダーグラウンド (Shihatsu-machi Underground). Needless to say, “ハレルヤ” (Hallelujah) is one of the best songs I’ve heard in the last few weeks. Are you ready for a creepy-yet-fascinating time travel? If not, get ready anyway, as we are going back of a few decades.

The song seems to come straight from the 70s, shamelessly drawing from the psychedelic rock sound of those years. The rich and obsessive drum beat, the repetitive bassline, the kaleidoscopic guitars making use of the weirdest and most alien-sounding effects and some elegant piano notes in the background: everything is ready to travel back to the past, when this otherworldly kind of music gave us a lot of influential bands. Of course, the three girls of Shihatsu-machi Underground join this trippy mess with their vocals, shining especially during the chorus.

The video looks as old-ish as the music, all shot in black and white and featuring what seems to be Cthulhu’s younger brother carried in a bag by a cool-looking guy, which then proceeds to impress a beautiful girl by feeding it with a parfait; meanwhile, Shihatsu-machi Underground seems to be astonished by something high up in the sky… but I’ll let you guess what it is.

Anyway, this group keeps impressing me with their uniqueness, taking back a music style which today is obviously not as big as before, but still manages to entertain us with its mind-blowing sounds. Shihatsu-machi Underground know that this genre still has a lot of potential and are doing a great job with it.

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