代代代 (DaiDaiDai) – The Absurd Is The Essential Concept And The First Truth

代代代 (Dai Dai Dai)

Listen to DaiDaiDai’s new album The Absurd Is The Essential Concept And The First Truth, which brings us into a world of suspense, confusion and serenity.

November of last year held some great news for fans of solid chaos pop group 代代代 (DaiDaiDai): Hime Kanon would be returning to activities after undergoing surgery. Though the future started looking promising once more, we received news in April that Kanon will be graduating from the group on June 20th over concerns with her health and her studies. However, the five members promised to bring their brand new album, The Absurd Is The Essential Concept And The First Truth — titled after a quote by absurdist philosopher Albert Camus — on February 27th. It was fully released March 6th, 2021.

Now, prior to this I have had no exposure to DaiDaiDai. I’m a newbie to the idol underground but I’m willing to get my feet wet and venture deeper into the waters, so when Vladkorados sent me this to review I wasn’t quite sure what my expectations would be. Certainly a mouthful of an album (and quite the interesting title, might I add), but I was definitely not expecting the journey that it took me on.

Clocking in at only 25 minutes, the album has seven tracks. The first track, “Fuan” (“Anxiety”) starts off with bursts of electronic noises before introducing the members’ vocals with some really cool robotic effects layered in and random cuts of white noise. The song encapsulates the feeling of anxiety well in the bursts of sound and the uneasy nature of the vocals. Once the chorus hits, though, everything takes an overwhelming turn like you’re caught in a frightening chase. It ends with the bits of white noise increasing in frequency alongside an almost teasing chant, giving a very creepy feeling.

The next song is “Fumei” (“Uncertainty”), a very short and entirely instrumental track. I’d describe it like you’ve entered a heavenly realm within a video game, with shimmering sounds. When you listen to it you almost feel like you’re floating. After that is “EHM”, which opens with a rock intro and once again employs cool vocal layering and effects that make the girls sound distorted. The vibe of the song grows increasingly sinister, especially after the 1:15 mark, and once again explodes into walls of sound before the end. The last thirty seconds close the track out with some interesting ticking noises. The fourth song, “Piranha”, begins with eletronica before mixing with some guitar, sounding like something akin to a major boss fight in a game. At the two minute mark the energy of the song picks up into an almost breakcore styled beat alongside a shouted chorus from multiple members.

Whereas the previous tracks had very amped up energies about them, the next two tracks stand out in their more mellowed out, emotional feeling. Track five, “Shinigami” (“God of Death”, which got a lyric video that you can watch above), opens with an orchestra alongside dreamy synths. There’s no vocal effects in this song, giving you a chance to hear the voices of the girls loud and clear. The feeling of this song is exhilarating, like you’re running, and the catchiness makes you want to sing along. The rock elements in the second half of the song are short lived but create a nice open atmosphere before you’re colliding with the dreamlike orchestra.

It’s one of the standout songs on the album for sure, as is the next track, “Yuukai” (“Melting”). Coming in as the longest on the album at five minutes, it opens with a math rock-esque sound. It employs a similar dreamy effect as the last song, but in a way where you really do feel like you’re melting into it all. There’s a hypnotizing quality to the song, especially in the parts where DaiDaiDai‘s members are all reciting the same lines one by one. Shiho’s voice shines in her solo portion of the bridge; there’s such a power in her voice there, it grabs at your emotions a little bit (it certainly did for me at least). The song got a music video featuring the song’s choreography earlier this year.

The final song, “Seiketsu” (“Cleanliness”) quite literally creeps up on you with electrical noises that gradually get a bit louder, but when the song officially starts it comes when you least expect it. The MIDI instruments give it an old horror game feeling and the unsettling vocal effects accentuate it perfectly. The song ends with noises that sound like something being dragged, and quite literally so as, if you listen with headphones, the sound slowly travels from your left ear to your right.

Prior to this, I had no knowledge of DaiDaiDai or what their genre, chaos pop, could consist of. After giving this album I can gladly say that I’ll definitely be checking out more of their discography, as this was one of the coolest albums I’ve heard in a while. Consider me a fan!


Leave a Reply

Your email address will not be published. Required fields are marked *