CHIKA RADAR #27: 幻想ばっどえんど (Gensou Bad End)

CHIKA RADAR #27: 幻想ばっどえんど (Gensou Bad End)

On this new episode of Chika Radar we will get to know more about the metal idol group 幻想ばっどえんど (Gensou Bad End).

Welcome back to your favorite idol-discovering column, IdolOnChaos’ Chika Radar! Idol groups still popping up during these hard times is a very good sign, and we can’t miss the chance to talk about them. Today we are going to find out more about a group we mentioned last week on this website thanks to the release of their first MV: Gensou Bad End.

The unit, which unveiled its members last July and then debuted in August, presents itself as a duo of dark-dressed blond girls holding a noose in their hands; I don’t want to make assumptions about them, but I’m quite sure that this is your average sugar-filled idol group. Sure, Akuma and Urara may be very cute, but that doesn’t mean that their music is as adorable as their looks.

Luckily, as I said before, they recently released their first MV for “Tōkyō Shōjo”, which allows us to clear up any (non-existing) doubt regarding their music. So let’s take a look at it.

And… surprise surprise: it’s a very metal-sounding song! Don’t tell me that’s what you expected, I’m not going to believe you.

I must say that the vocals of the verse remind me a lot of Wagamama Rakia’s “Rain”, except this one is definitely less refined and more straightforward, or more metal in other words; that aside, “Tōkyō Shōjo” is quite enjoyable, featuring some gloomy and calmer parts among the aggressive ones.

They also have another single called “Zettai Watashi Shugi” which you can listen below and a third one on their online store, so I guess they had a good start. Hopefully we are going to get lots of good music from them in the future!

DESURABBITS – JUMP (Type A)

DESURABBITS

Listen to JUMP, the latest album of the death pop group DESURABBITS which brings old and new together, possibly for the final time.

DESURABBITS is quite an interesting group. Comprising of four members — Karin, Yuzu, Emi, and their producer Buchou (Akira Kanzaki) — come together to create a genre known as death pop by mixing heavy metal, digital hardcore and electronica. After spending almost 8 years together, in November of 2020 they announced that they’ll be disbanding come June due to the pandemic heavily affecting their roles as a performance based unit. However, before they go, they’ve left not one but two albums in their wake: JUMP Type A and Type B.

Upon looking through their discography, it appears that both versions of the JUMP albums contain singles from throughout their long career alongside original songs. Type A contains 17 tracks and clocks in at an hour and fifteen minutes, their longest release to date. It opens with an instrumental track titled “Op.Track” that has a nu-metal style, mixing a raging band with record scratches of a turntable. “Isshunde” (“In The Blink of an Eye”), which was promoted as a single last year, comes next with a blossoming opening of string instruments. The chorus exudes a fun and energetic beat, and the girls take turns in the verses with Buchou’s screams and growls. “Mushi suru na, kimi no iro wa kimi de kimereba ii” (“Don’t ignore it, you can choose your own color”) teeters on the edge of being a ballad, but the rock instrumentation comes through much stronger, and there’s a bit of electro pop in the bridge before closing out with Buchou’s screams.

“Rayword” rips right into some heavy metal, while “Don’t Think, Feel!” has more of a thrash metal attitude to it. Buchou’s verses contain the more hardcore elements, where as sections with Karin, Emi and Yuzu are a complete switch up with the introduction of piano. “Demo, Nigenna” utilizes more of an electronic pop/rock sound. With an extremely catchy chorus, and a rap verse from Buchou around the 2:30 mark, it makes for a great song to dance to. “Sotsugyou shoujo -Mirai e-” (“Graduation Girl -Future Picture-”) is one of my favorite tracks on the album, with digital hardcore being the dominant genre at play, neat vocal effects and sweet hints of piano throughout. “Tokyo no Sukima” is a rock ballad with a more melancholic feeling, which immediately separates it from the other songs. The feeling of the song makes you want to raise your lighters (or phone flashlights) and sway to the heartfelt singing of the girls. Towards the end, there’s a key change with English lyrics!

“I’m On My Way” is another song with a heartfelt emotion in vocal delivery while still retaining a hard edge with elements of hard rock. Buchou’s verses have a sick glitch effect to them and Karin, Yuzu, and Emi’s parts all showcase gorgeous harmonization. “Magic of Butterfly -Seichou-” opens with piano, then kicks up the energy with a power metal flair. “Aikotoba” follows in the same vein but introduces traditional Japanese instruments as well, and employs quite the fun chorus.

“IdolSTAR Wars (Re-Singing Version)” is a redone version of their single from 2013, and is one of the shorter tracks on the album. Buchou’s growls take center stage in this track before the girls come in with a cuter vibe in the pre chorus and chorus. Alongside “Anger”, which features some jazz elements in the mix, and “Desuma supuringu ~Sorosoro keigo o tsukatte mimasenka~” (“It’s Spring ~Let’s try using honorifics properly~”), they make up the oldest tracks on the album. “Chaban Chaban Ban”, another favorite of mine, is a track that makes use of DESURABBITS‘ digital hardcore sound with spoken verses. The track is so much fun, especially in the way it suddenly switches up at 1:20 into dance pop. The guitar solo towards the end is absolutely killer as well.

The final two songs almost feel like a fond farewell. “I Love Desurabbits” is another heavy metal banger that has Karin, Yuzu and Emi taking center stage, with Buchou employing his screams briefly throughout (and some sick gutturals at 2:45). The lyrics feel happy, and there is a very sweet part in the beginning of the bridge expressing thanks and love. The final song, aptly titled “Last Song”, has a magical feeling with softer vocals and a dance beat, before ending with the girls saying “goodbye” and Buchou joining in for one final “We are Desurabbits”.

JUMP is quite the long journey, with almost every track coming in at four or five minutes, but it’s one worth making and a familiar road to travel for longtime DESURABBITS fans. Though the death pop unit will be leaving us in the summer, this album will serve as a fond reminder of all the memories they’ve made and the impact they’ve left on the idol scene.


CHIKA RADAR #22: Antispell

CHIKA RADAR #22: Antispell

Let’s find out more about Antispell, a recently formed idol unit with gothic lolita aesthetics and an intense metal-rock sound.

Long time no see, Mr. Chika Radar. I guess you’re back to introduce some new group, right? Great, let’s see what you have in store for us. Antispell you say? Of course we heard of them, but let’s recap the info we have on this unit.

Antispell is a recently formed idol group featuring five members and gothic lolita aesthetics. Last Friday, they held their unveiling one man live through which they officially introduced themselves to the idol world, so let’s start by getting to know these girls:

  • 犬塚こち (Inuzuka Kochi), who has some interesting adventures with her dog
  • 教祖ひなの (Kyōso Hinano), the red guru of the unit
  • サノカナメ (Sano Kaname), which literally introduced herself with なむひjkjaj8はた「x²+(y-³√x²)²=1」^_^ and I totally agree
  • 月姫 ミカ (Tsukihime Mika), also known as the white warrior Babu-chan, whatever that means
  • 星屑ちる (Hoshikuzu Chiru), a cute loli who likes videogames and latest addition to the group

It seems that we have some fun girls here, despite the slightly dark theme of the group. What’s even better is that their music is equally cool.

Starting with the one for “ハイカラ・ガールズ・メルトアップ” (High Collar・Girls・Melt Up), Antispell released lyric videos last week which showed us that what they’re made of. The alternative metal sound filled with electronic elements gave me a very good first impression of their music: fast, powerful, intense, but also melodic and catchy.

The electronic influence gets even stronger in the second song they unveiled, featuring some EDM/pop elements here and there and romantic piano notes which find their place in this track.

Finally, their self-titled song shows a slightly softer side of the unit, going more towards a melodic idol rock sound; this lighter approach is not half bad, although I have to say that the most intense tracks are my favorites.


Antispell are going to hold their 解放の物語 (Kaihō No Monogatari) live on the 19th of December, but before that they will also be in Pop In Festival 2020 at the end of this month. Despite having just started, it looks like the group is doing quite well.

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