The first show of the new line-up will take place on the 27th of April and it will be live streamed.
Tokyo’s dark idol unit NECRONOMIDOL returns to the scene with a new killer album titled Vämjelseriter, featuring new members and re-recorded old songs.
The album boasts an impressive 15 tracks, with six being brand new and nine being redone from previous albums and EPs like 2016’s From Chaos Born and Nemesis, 2019’s Scions of the Blasted Heath, and 2017’s Dawnslayer. The album opens with “Tupilaq”, released in June of the previous year, immediately opens with a creepy atmosphere before exploding into metal riffs. “Santa Sangre”, the second of the singles, opens with a catchy synth pop beat, then descending into a chaotic flurry as screaming guitars (and a choir!) take over in the bridge and final chorus before coming to an abrupt end as the synth gets cut by white noise.
The girls shine gorgeously in “Celephaïs”, “Salem” and “R’lyeh”, where the emotional impact weighs heavily in the mood of the song; these serve as the softer side of NECRONOMIDOL, employing a sense of melancholy through compositions similar to that of funeral marches and lyrics that speak of final goodbyes and closing chapters.
The new version of “Warabeuta”, which is my favorite on the album, hits harder in the upgraded instrumentation that contains a beautiful mix of heavy metal and synth that accentuates the war-torn world they’re creating. Another treat is the new version of “Sarnath” that features original spoken word sections from Himari alongside an stronger instrumental, especially when it comes to the chorus, which helps in engaging the listener with a sense of terror and doom.
“Necropolis” and “Ritual” (which got a music video prior to the album) especially stand out in that when NECRONOMIDOL goes for heavy metal, they go for absolute gold, with the latter having a black metal sound akin to that of the modern day scene. Darkwave and synth rule the worlds of the tracks “Nyx”, “Ex Oblivione”, “Phantasmagoria Cosmos” and “Cassilda”, rounding out the array of musical styles NECRONOMIDOL can excel in, be it with cheerful, magical girl energy or a horror film-like soundscape.
All in all, this was a solid album to introduce the new unit in, and what looked to be a promising lineup for the future. It’s unfortunate, then, that now the group has re-entered a hiatus period and has seen the graduations of Shiki and Roa so soon. Yet, we’ll be able to look forward to the new unit making their return on the 27th of this month.
|月城ひまり (Tsukishiro Himari)|
|神乃菜愛 (Kamino Nana)|
After going on hiatus some weeks ago, today Toda Roa left Necronomidol.
As mentioned before, she went on hiatus to try to keep going both as a member of the dark idol unit and with other projects, but was unable to find a way to do so; today it was announced her decision to part ways with the group.
Necronomidol is planning to return with a new line-up on the 27th of April.
— NECRONOMIDOL (@NECRONOMIDOL) April 18, 2021